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What are Dope Dyed Yarns? Would you like to merge this question into it? Would you like to make it the primary and merge this question into it?
Merge this question into. Split and merge into it. Dope Dyed Yarn is a synthetic Yarn where the Polymer, before the extrusion process, is mixed with dye and and extruded fibres are then coloured.
Yarn Wool or synthetic fibers that are woven together and sometimes used in nitting clothing. The final cessation of vital functions in an organism: They do not need their bodies any longer.
Because dead people do not need their body we can no longer see them like we used to do before they died. Illega use of ergogentic substances. What is twice as dope as dope?
What is a top-dyed yarn? Hi, To understand Top Dyed yarns, its necessary to know about Melange yarns first. All the formed yarns in same method will called "Cotton Melange Yarns".
Therefore, generally the melange yarns of dyed Polyester combinations are to be referred as "Top Dyed" yarns. But we cannot fix this definition specifically for "Top Dyed" also because there are many customers in Far-East countries, who has fixed the term "Top Dyed" for all kinds of Melange yarns.
They never mention that whether these are Cotton Melanges or Polyester Melanges!!! Just for additional informations, Melange yarns can also be produced with other fibres too like Viscose, Rayon, Bamboo, Modal, Coolmax, Tancel, Soyabean, Cashmere, etc..
Hope it will help.. In addition to above answer, please also note that fabrics produced with Melange yarns either from Cotton melange, heather grey, or else are not dyed further usually to make garments and fabric is used as it is.
Woven yarn dyed fabric properties? What is a yarn? What is a solid-dyed yarn? One which is dyed the same colour throughout. It's not a randomyarn nor mottled.
Why do you yarn? However, the manufacturing process was not properly understood and few safety measures were put in place. A serious explosion in July of that year killed almost two dozen workers, resulting in the immediate closure of the plant.
Guncotton manufacture ceased for over 15 years until a safer procedure could be developed. Further research indicated the importance of very careful washing of the acidified cotton.
Unwashed nitrocellulose sometimes called pyrocellulose may spontaneously ignite and explode at room temperature , as the evaporation of water results in the concentration of unreacted acid.
The British chemist Frederick Augustus Abel developed the first safe process for guncotton manufacture, which he patented in The washing and drying times of the nitrocellulose were both extended to 48 hours and repeated eight times over.
The acid mixture was changed to two parts sulfuric acid to one part nitric. Nitration can be controlled by adjusting acid concentrations and reaction temperature.
Soluble nitrocellulose, or a solution thereof, is sometimes called collodion. More-stable and slower-burning collodion mixtures were eventually prepared using less-concentrated acids at lower temperatures for smokeless powder in firearms.
The first practical smokeless powder made from nitrocellulose, for firearms and artillery ammunition, was invented by French chemist Paul Vieille in Jules Verne viewed the development of guncotton with optimism.
He referred to the substance several times in his novels. His adventurers carried firearms employing this substance. The most noteworthy reference is in his From the Earth to the Moon , in which guncotton was used to launch a projectile into space.
On May 2, , Hannibal Goodwin filed a patent for "a photographic pellicle and process of producing same Nitrocellulose was used as the first flexible film base , beginning with Eastman Kodak products in August, Camphor is used as a plasticizer for nitrocellulose film, often called nitrate film.
Nitrate film was used for X-ray photography for some time, where its flammability hazard was most acute, thus in , became disused for such purposes, along with its uses for motion-picture films in , where it was replaced by safety film with an acetate base.
Nitrocellulose X-ray film ignition was the cause behind the Cleveland Clinic fire of in Cleveland, Ohio , which claimed the lives of people during the fire, and a number who were rescued, but died several days later due to inhalation of the toxic smoke.
The use of nitrocellulose film for motion pictures led to the requirement for fireproof projection rooms with wall coverings made of asbestos.
A training film for projectionists included footage of a controlled ignition of a reel of nitrate film, which continued to burn when fully submerged in water.
Once burning, it is extremely difficult to extinguish. Immersing burning film in water may not extinguish it, and could actually increase the amount of smoke produced.
Cinema fires caused by ignition of nitrocellulose film stock were the cause of the Dromcolliher cinema tragedy in County Limerick in which 48 people died and the Glen Cinema disaster in Paisley, Scotland , which killed 69 children.
Today, nitrate film projection is normally highly regulated and requires extensive precautionary measures including extra projectionist health and safety training.
Projectors certified to run nitrate films have many precautions, among them the chambering of the feed and takeup reels in thick metal covers with small slits to allow the film to run through.
The projector is modified to accommodate several fire extinguishers with nozzles aimed at the film gate. The extinguishers automatically trigger if a piece of flammable fabric placed near the gate starts to burn.
While this triggering would likely damage or destroy a significant portion of the projection components, it would prevent a fire which could cause far greater damage.
Projection rooms may be required to have automatic metal covers for the projection windows, preventing the spread of fire to the auditorium.
The Dryden Theatre at the George Eastman Museum is one of a few theaters in the world that is capable of safely projecting nitrate films,  and regularly screens films to the public.
Nitrocellulose was found to gradually decompose, releasing nitric acid and further catalyzing the decomposition eventually into a flammable powder.
Decades later, storage at low temperatures was discovered as a means of delaying these reactions indefinitely. The great majority of films produced during the early 20th century are thought to have been lost either through this accelerating, self-catalyzed disintegration or through studio warehouse fires.
Salvaging old films is a major problem for film archivists see film preservation. Nitrocellulose film base manufactured by Kodak can be identified by the presence of the word 'nitrate' in dark letters along one edge; the word only in clear letters on a dark background indicates derivation from a nitrate base original negative or projection print, but the film in hand itself may be a later print or copy negative, made on safety film.
Acetate film manufactured during the era when nitrate films were still in use was marked 'Safety' or 'Safety Film' along one edge in dark letters.
Cellulose is treated with sulfuric acid and potassium nitrate to give cellulose mononitrate. This was used commercially as 'celluloid', a highly flammable plastic used in the first half of the 20th century for lacquers and photographic film.
While cellulose acetate-based so-called "safety film", notably cellulose diacetate and cellulose acetate propionate, was produced in the gauge for small-scale use in niche applications such as printing advertisements and other short films to enable them to be sent through the mails without the need for fire safety precautions , the early generations of safety film base had two major disadvantages relative to nitrate: The cost of the safety precautions associated with the use of nitrate was significantly lower than the cost of using any of the safety bases available before These drawbacks were eventually overcome with the launch of cellulose triacetate base film by Eastman Kodak in The crucial advantage cellulose triacetate had over nitrate was that it was no more of a fire risk than paper the stock is often erroneously referred to as "non-flam": Polyester is much more resistant to polymer degradation than either nitrate or triacetate.
Although triacetate does not decompose in as dangerous a way as nitrate does, it is still subject to a process known as deacetylation, often nicknamed "vinegar syndrome" due to the acetic acid smell of decomposing film by archivists, which causes the film to shrink, deform, become brittle and eventually unusable.
PET, like cellulose mononitrate, is less prone to stretching than other available plastics. By the late s, polyester had almost entirely superseded triacetate for the production of intermediate elements and release prints.
Triacetate remains in use for most camera negative stocks because it can be "invisibly" spliced using solvents during negative assembly, while polyester film can only be spliced using adhesive tape patches or ultrasonically, both of which leave visible marks in the frame area.
Also, polyester film is so strong, it will not break under tension and may cause serious damage to expensive camera or projector mechanisms in the event of a film jam, whereas triacetate film breaks easily, reducing the risk of damage.
Many were opposed to the use of polyester for release prints for precisely this reason, and because ultrasonic splicers are very expensive items, beyond the budgets of many smaller theaters.
In practice, though, this has not proved to be as much of a problem as was feared. Rather, with the increased use of automated long-play systems in cinemas, the greater strength of polyester has been a significant advantage in lessening the risk of a film performance being interrupted by a film break.
Despite its self-oxidizing hazards, nitrate is still regarded highly as the stock is more transparent than replacement stocks, and older films used denser silver in the emulsion.
The combination results in a notably more luminous image with a high contrast ratio. Because of its explosive nature, not all applications of nitrocellulose were successful.
John Wesley Hyatt created the winning replacement, which he created with a new material he invented called camphored nitrocellulose—the first thermoplastic , better known as celluloid.
The invention enjoyed a brief popularity, but the Hyatt balls were extremely flammable, and sometimes portions of the outer shell would explode upon impact.
An owner of a billiard saloon in Colorado wrote to Hyatt about the explosive tendencies, saying that he did not mind very much personally but for the fact that every man in his saloon immediately pulled a gun at the sound.
Pressure was applied to the liquid in the cylinder, which resulted in a uniform compression on the nitrocellulose mass, compressing it into a uniform sphere as the heat vaporized the solvents.